IAMA Art Museum in San Francisco



Art Museum

A couplet in inscription style
Author and artist: Wu Changshuo (1844-1927)



This couplet by Wu Changshuo is written on a pair of scrolls in the calligraphic style of inscriptions on ancient bronze objects. One scroll is on the left side of the Longevity Peaches painting, and the other scroll is on the right side. This is a marvelous calligraphic work of the highest level. When it comes to calligraphy in the style of inscriptions on ancient bronze objects, Wu Changshuo can rightly be called the preeminent calligrapher in all of Chinese history. The main characters in the inscription style in the couplet are (right side)君子好遁 and (left side)彌勒同龕.




第三世多杰羌佛文化藝術館藏有許多H.H.第三世多杰羌佛的書法作品。無論是行書、草書、楷書，它們都同樣的呈現出佛陀無量的智慧和無上的道德。


H.H.第三世多杰羌佛深居古寺，卻以超凡的證量，發抒情懷，闡顯寺廟雖一室之間卻為孤隱清高，超凡脫俗，但卻樂盡無窮豪華天籟，故吟曰：『華宮日月麗陽天』統率日月之天地，而會之人間福盛，一句 『喜乘西風六月閒』 點出了在夏日炎炎卻迎納清浴，乘駕佛陀西風之涼風沐體，心境無遷，閒於寂靜，放展宇宙，輕安極樂，人我兩忘，故友來臨亦聞叭聲所得，已與世超然，清淨無為，H.H.第三世多杰羌佛不記時日，應無所住，而世外人卻茫然牽掛，登車奔馬告訴H.H.第三世多杰羌佛，已經不是夏天了，冬天都快完了，古佛心有會意卻莞爾一笑。由此境界，我們可見H.H.第三世多杰羌佛之書法如何脫盡人間煙火之氣，是真正的佛陀之書啊！



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